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CH.14 Principles of Hair Design

Horizontales
When the design is similar on both sides. same distance from the center, same length & same volume
Lines moving in a circular or semi circular direction, soften a design
The comparative relationship of one thing to another
Has a prominent forehead & chin with other features receded inward
Round hair and chin line wide face
Done with colors to give illusions of more or less volume
Considered ideal profile
Horizontal &vertical lines that meet at a 90* angle
Refers to the directional wave patterns or illusion of motion in the hair
Usually curved lines that are used to blend & soften horizontal or vertical lines
Positioned between horizontal &vertical lines. used to emphasize or minimize facial features
Regular recurrent pattern of movement in a style. It can be fast or slow
Creates length & height. Makes hairstyle appear longer & narrower
The area surrounding the form or the area the hairstyle occupies
Narrow forehead wide jaw and chin line
Create width in hair design. extend in same direction &maintain a constant distance apart
Verticales
Establishing equal or appropriate proportions to create symmetry
Used in the one length hairstyle
Narrow forehead extreme width through the cheekbones & narrow chin
The outline of the face
The mass or general outline of a hairstyle
Long narrow face with hollow cheeks
Lines with a definite forward or backward movement
When the two imaginary halves of a hairstyle have a equal visual weight but are positioned unevenly
Also known as focus in a design, it is what draws the eye first before it travels to the rest of the design, created several ways
Wide at the temples narrow at the middle third of the face and squared jaw
Face shape suitable for any style
One of the most important art principles. the orderly & pleasing arrangement of shapes & lines. holds all elements of the design together
Receding forehead & chin