This artwork, by Eva Hesse, has a dense interior space that forcefully underscores the differences between outside and inside, steel and rubber. It is an exemplar of post minimalist sculpture.
This artist has been producing paintings, performances, installations, and poetry for decades. Ideas of pop art, minimalism, and psychedelia are interwoven throughout her work.
This artist’s work generates a debate about the future in relation to common goods, environmental justice, ‘just’ energy transition, and cultural biodiversity.
This artist addresses the repressed underpinnings of U.S. culture and the coding of power and violence. Craft is central to his work, as he explores California’s radical ceramics history and traditions of Amish quilt making
This artist is scheduled to be featured at the Watershed at the end of May, 2020. Her work will invite visitors to traverse passageways and travel through time, engaging with streams of influence and interconnectedness.
This artwork contends with the histories of both minimalism and architecture. One could think of this piece as a sort of highway overpass, or another type of bridge.
This artwork is composed of a darkened, mirrored room illuminated by inflatable, tentacle-like forms—covered in the artist’s characteristic polka dots—that extend from the floor and ceiling, gradually changing colors.
This artist’s labor-intensive work draws on histories of gender and sexual politics, precariously balancing an urgent sense of anxiety with a nostalgic view of the present. He utilizes crochet, collage, weaving, dyeing.
Verticales
The policy for these prevents artworks from being knocked over, snagged on, or otherwise touched, offering the visitor a heightened sense of spatial awareness.
This artist creates immersive experiences through light and moving image projections. Her artwork 'Delphine' was the first to be featured at our second location across the harbor in 2018.
In this artwork, the conversion of the ordinary (hair) into the extraordinary (art) is uncharacteristically playful.
The policy that involves these specifically prevents critters from entering the galleries. We distinguish between these and their fake counterparts.
This policy prevents stains and permanent damage to artwork, as well as spills and the potential of attracting bugs to the galleries.
A quote from this artist: “I’m fascinated by symbols and iconography and how information is transmitted. I’m curious to know how little information is needed for one’s body to register as being gendered and racialised.”
This part of the building allows the galleries to extend 80 feet past the actual footprint of the building, projecting out to the water’s edge.
This artwork is one that we’ve recently acquired. It shows the interaction between two figures and is suggestive of an outdoor scene, signified by raw canvas on the bottom, as the ground, and chewing gum stuck to it.
One of the architects of the building
One of the architects of the building
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