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The Photographic works of Marion Drew

Horizontales
being the place or environment in which a person was born or a thing came into being
being the place or environment in which a person was born or a thing came into being
references 18th century still life painting techniques
a person or animal that inhabits a place, especially as a permanent resident
the appearance of being true or real
aspects of environmental awareness
the feel, appearance, or consistency of a surface or a substance
appropriates still life compositions
those who dwell there
A still life artwork which includes various symbolic objects designed to remind the viewer of their mortality and of the worthlessness of worldly goods and pleasures
strong lighting techniques that mimic 18th century still life painting
the dead body of an animal
exhibited extensively around Australia
large photographic prints
Verticales
Marion Drew
of the present time; modern:
shock and recoil from realising that the animals in the photograph as deceased and unnaturally represented
of or relating to the home, the household, household affairs, or the family
photographic skill and understanding
the state of being strikingly different from something else