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Antigone

Horizontales
Blonde, full-figured, and radiantly beautiful, the laughing, talkative Iis the good girl of the family. She is reasonable and understands her place, bowing to Creon's edict and attempting to dissuade Antigone from her act of rebellion.
The play's tragic heroine.
jeeringly compares Antigone to an exhibitionist upon her arrest.
The three Guardsmen are interpolations into the Antigone legend, doubles for the rank-and-file fascist collaborators or collabos of Anouilh's day.
Creon's attendant. He sees all, understands nothing, and is no help to anyone but one day may become either a Creon or an Antigone in his own right.
Antigone's young fiancé and son to Creon. Antigone's young fiancé and son to Creon.
Verticales
Antigone's uncle. A practical man, he firmly distances himself from the tragic aspirations of Oedipus and his line.
She introduces an everyday, maternal element into the play that heightens the strangeness of the tragic world. Fussy, affectionate, and reassuring, she suffers no drama or tragedy but exists in the day-to-day tasks of caring for the two sisters.
The last of the indifferent Guardsmen, he is also largely indistinguishable from his cohorts.
pale and solitary boy who bears the news of death. In the prologue, he casts a menacing shadow:
Creon's kind, knitting wife whose only function, as the Chorus declares, is to knit in her room until it is her time to die. Her suicide is Creon's last punishment, leaving him entirely alone.