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Bad Feelings in Public Discourse

Horizontales
Happiness scripts are associated with (______) acts.
(______) is deployed not only in argument, but it also structures the very principles through which we participate in and evaluate academic argument
This term is defined as an anti feminist persona that establishes an exclusive community of men. These "tough babies" replace horizontal solidarity (of academic ideals) with hierarchical obedience
One who doesn't experience the expected happiness or share the expected orientation toward a happy object is defined as an (______)
Happiness is associated with certain objects, and it involves affect, (______), and evaluation or judgement.
The author of "Feminism and Affect at the Scene of Argument" (last name only)
Rand shows us how these authors (______) not only how patrolling the boundaries of affect can have authorizing functions in public discourse, but also, perhaps more surprisingly, how the contemporary “turn” to affect itself can serve as a kind of authorizing move
The author of "The promise of Happiness" (last name only)
The definition of (______) turn is the body's capacity to affect and be affected
Verticales
The three authors discussed in Rand's article seek to deploy feminist and queer (______) as critical perspectives to illuminate cultural formations that authorize, exclude, or otherwise discipline particular deployments of "bad feelings" in public discourse
Feminist socioforensic discursive analysis is a (______) method that can reshape how we construe, critique, and transcend the always already gendered nature of public and scholarly texts
Political depression is defined as feelings brought on by the sense that routine forms of (______) response are no longer working either to change the world or to make us feel better
The author of "Depression: A Public Feeling" (last name only)
Rand's main argument is to think through the ways that affect and emotion operate in the (______) arenas of argument and public discourse through the eyes of Sara Ahmed, Ann Cvetkovich, & Barbara Tomlinson
(______) is a kind of spiritual crisis that can manifest as hopelessness and idleness or as a restless urge to flee; sluggish inertia.