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Exam Three: Chapters 25 and 26

Name:______________________________
Horizontales
(from Italian tempo rubato, 'stolen time') Technique common in Romantic music in which the performer holds back or hurries the written note values.
Clara Schumann was a virtuoso and concretize on this instrument.
A type of Polish folk dance (and later ballroom dance) in triple meter characterized by accents on the second or third beat and often by dotted figures on the first beat.
(1) A song for more than one voice. (2) In the nineteenth century, a song for CHORUS, parallel in function and style to the lied or parlor song
nstrumental music that tells a story or follows a narrative or other sequence of events, often spelled out in an accompanying text called a program
Variant of strophic form in which the music for the first stanza is varied for later stanzas, or in which there is a change of key, rhythm, character, or material.
(French, 'study') An instrumental piece designed to develop a particular skill or performing technique. Certain nineteenth-century pieces that contained significant artistic content and were played in concert.
Verticales
Term popularized by Franz Liszt for his solo piano performances and used today for any presentation given by a single performer or a small group
Amateur CHORUS whose members sing for their own enjoyment and may pay dues to purchase music, pay the conductor, and meet other expenses.
Music that is independent of words, drama, visual images, or any kind of representational aspects
Movements in Berlioz' Symphonie Fantastique.
Demand made by Franz Liszt regarding the performance in recitals: 'All materials music should be presented by _______.
Song for home music-making, sometimes performed in public concerts as well
French term coined by Hector Berlioz for a MELODY that is used throughout a piece to represent a person, thing, or idea, transforming it to suit the mood and situation.
First composer to compose Nocturnes; Irish composer John ________.