Part of stage extending past proscenium arch towards audience.
7th strongest stage area.
8th strongest stage area.
Most Common Stage. We have this stage at Denison.
4th strongest stage area.
Away from the audience
(Full Back).
9 divisions of stage floor,
Used by directors when moving actors
or placing furniture/scenery.
The strongest stage area.
the actual head height of the actor as determined by his/her body position (sitting/lying/standing/elevated). Meaning is created by placing actors at different levels.
5th strongest stage area.
in American usage, the finished upstage face of the proscenium wall, fire curtain, or pilasters from which equipment and scenery are dimensioned. See also setting line.
Offstage spaces to side of acting area.
an appealing and meaningful arrangement of performers on the stage; picture the audience sees onstage.
We use clock and compass
directions to navigate on
this stage.
One actor emphasizes
other.
The way you behave in a certain situation.
Curtains used to mask/hide all of the backstage workings of a play that the audience does not need to see during a production.
This stage is similar to a model runway
Imaginary divisions giving depth to the proscenium stage. An actor must move through the stage planes as he/she moves DS to audience or US away from audience.
Any stage not classified as proscenium, arena, or thrust.
Is the holding room for actors to wait and relax before and during a production.