Area to the performers right, when facing downstage
The area of the stage closest to the audience.
Works with director to establish the lighting "look" for each scene and transitional lighting.
The house can refer to any area which is not considered playing space or backstage area. This includes the lobby, coat check, ticketing counters, and restrooms. More specifically, the house refers to any area in the theatre where the audience is seated. This also includes aisles, orchestra pit, control booth, and balcony.
This is the room where actors and other perform wait in when they are not needed onstage or in their dressing rooms.
provides support to the director and the specifics of the role would be determined between the two. Depending upon the nature of the production, this role might focus more on actors or on supporting the technical departments.
Delivers the script; works with the director to determine relationships with the other characters, and strive to fulfill the pacing and tempo decisions of the director.
responsible for the main vision of the production. They must interpret the script and the characters relationships. They lead rehearsals and determine stage blocking. They need to communicate their needs to the various departments.
works with director to develop the necessary props for the production.
A catwalk is an elevated platform from which many of the technical functions of a theatre, such as lighting and sounds, may be manipulated.
Works with the director to fabricate the sound track for the production, collecting or creating the sounds necessary for the play.
Verticales
works in consultation with the director to articulate the primary vision of the production through the design and creation of sets. Sets can be realistic or implied; giving the audience a sense of where the action of the play is taking place.
responsible for the running of the stage during production. They are required to call for the cueing of lights, sounds, sets, props, and actors during the show. The stage manager is constant communication with the following departments: Director, actors, house manager, production manager, & running crew.
is a system of ropes, counterweights, pulleys, and other such tools designed to allow a technical crew to quickly move set pieces, and lights on and off stage.
The section of the theatre designated for the operation of technical equipment, followspots, lighting and sound boards, and is sometimes the location of the stage manager's station. Unobstructed viewof the playing area without causing distraction to the audience. Goal: Don't let them know you're there!
Where tickets are sold to the public.
works with director to develop clothing, based on character analysis, for the actors. The creation or collection of costumes requires extensive research and knowledge of the measurements of each actor.
Area to the performers left when facing downstage
A room in a theatre used for public entry to the building from the outside. Ticket counters, concessions and restrooms are all usually located in the lobby.
funds the production and designates a director.
Area furthest from audience
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