El recuerdo que tiene el hombre en este mundo de la vida anterior en que contemplaba de un modo inmediato y directo las ideas
Término traducido comúnmente por ‘opinión’en cuanto apariencia, ilusión o engaño.
Se trata de un texto de Platón perteneciente a la obra República. En este mito, Platón expone parte de su teoría de las ideas
La ldoctrina según la cual hay ciertas ideas, principios, nociones, máximas —sea «especulativas», sea «prácticas» que son innatas, es decir, que son poseídas por el alma, el espíritu, etcétera, de todos los hombres sin excepción.
Tradicionalmente fueron llamados «nociones genéricas», «ideas» y «entidades abstractas». Ejemplos son son «el león», «el triángulo», «4» (el número cuatro, escrito mediante la cifra ‘4’).
Verticales
Los entes inmateriales, absolutos, inmutables y universales independientes del mundo físico de las que derivan todo lo que existe en ese plano físico. Serían, por ejemplo, la bondad, la justicia, la virtud o el mismo ser humano en sí mismo. Y de ellas derivarían todo lo bueno, todo lo justo, todo lo virtuoso.
Es un término griego que se refiere tanto a un dios o divinidad como al destino. En la Antigüedad griega se utilizaba para referirse a una divinidad que intervenía en los asuntos del destino de los seres humanos. En plural se refería a dioses menores o espíritus de los muertos.
Los hombres encadenados en la caverna que se parecen a nosotros.
Platón declaró, en el Gorgias, que es condición de la felicidad. Virtud y fundamento de la constitución —y de la estabilidad y orden sociales— del Estado-ciudad.
Platón la entiende como conocimiento de cosas celestes y de fenómenos de la Naturaleza, y por el otro como contemplación religiosa de una estatua divina o de una fiesta de los cultos.
Una inteligencia que lo ordena todo y da sentido a todo desde el inicio de los tiempos, desde el origen del universo. No se trata de un dios o principio creador, sino de un principio ordenador de lo ya existente.
No es simple no saber; es algo situado entre la perfecta ciencia y la absoluta ignorancia.
El arte del diálogo, es un tipo de argumento similar al argumento llamado «reducción al absurdo», pero no idéntico al mismo.
Es un instinto, una tendencia a la belleza, un movimiento de atracción.
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